a solo for two men
the motif of the ‘doppelgaenger’ or look-alike is both irritating and fascinating at the same time. the doppelgaenger questions concepts of similarity and difference.
»synchronicity indicates more than virtuosity, but rather the merging of two states of awareness. this meticulously composed decrescendo is one of the most moving, most enlightening final scenes that i’ve seen in dance theatre for quite some time.« (tagesspiegel)
a cie. toula limnaios production 2003/2016
ralf r. ollertz
leonardo d’aquino, alessio scandale